Tuesday, September 28, 2010

Sony MHC-EC79i Mini Hi-Fi Shelf System (With iPod Dock)


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Specifications: The Sony MHC-EC79i Mini Hi-Fi is a three piece sound system that comes with an iPod dock. It consists of a central unit and two Speakers with built in sub-woofers. Each of the Speakers has 190 watts of power giving a total of 380 watts of audio power. This hi-fi system plays DVDs, VCDs, and CDs in a variety of formats. It has a 44.1kHz/24bit digital-to-analog converter and of course, a built in AM/FM tuner (saving up to 20 FM station presets and 10 AM radio presets). This model makes use of an external antenna. One of the biggest selling factor is its built in iPod dock.

Design: The Sony MHC-EC79i Mini Hi-Fi has a rather masculine design. The exterior of the device is in shades of black, gray and a tinge of silver shades. Each of the Speakers has two loudSpeakers that are covered by a thin mesh. Each of the speakers is painted with a ring of blue. The center of the player is dominated by a large, silver-colored volume control. Beneath it is the built-in iPod dock.

Features & Performance: The Sony MHC-EC79i Mini Hi-Fi is a great sound system for a small to medium sized room. Its powerful audio output (380 watts) could easily fill the room with rich high quality audio. The sound produced by this system was very good, with crisp sounds and a strong, defined bass. When the iPod is plugged into the dock, it charges it at the same time. You may even control the audio playback of your iPod by using the hi-fi remote when it is plugged in. There is also a built-in 3.5mm audio-in jack that allows you to plug in other music players or play music from your PC. This unit currently retails for around $160 each. The Sony Hi-fi unit makes a good choice for those who are looking for a hi-fi set that can literally rock the room with high quality audio.

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Saturday, September 18, 2010

12AWG CL2 Rated 4-Conductor Loud Speaker Cable - 100ft(For In-Wall Installation)

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Monday, September 6, 2010

How to Choose an Office Sound Masking System


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What is an Office Sound Masking System?

Office Sound Masking Systems have been in wide use for more than 50 years They were developed in the 1960s for the department of defense, and have been used to provide improved acoustic privacy in office spaces ever since.

The basic idea behind sound masking is that if I fill in the sound spectrum, it makes it very difficult to understand the conversations going on around me. And if I can't understand them, they're much less likely to distract me. Thus, office sound masking systems both improve office privacy and increase office productivity.

The human ear works like a radar dish - constantly on the lookout for sound that indicates some kind of structure. Your ears are bombarded by sounds all day long - and your brain has to filter out the useful sounds from the irrelevant ones. So it looks for structure. Language and music have structure, for example. The sound of a twig snapping or a door creaking communicates information that's helpful to your 'fight or flight' instincts. On the other hand, your brain will tune out the relatively consistent din of the food court at the mall, or other constant sounds like that of the cooling fan in your Computer. The sound doesn't vary, it doesn't have structure, so your brain determines that it's not communicating anything and so it ignores the sound and goes on looking for structured sounds.

How do Office Sound Masking Systems Work?

An effective office sound masking system must be uniform in terms of both sound spectrum and volume. All modern office sound masking systems use a pretty specific sound spectrum, targeted to mask human speech. Older style systems depend on the expertise and effort of the installer to properly tune them, while newer systems come pre-tuned, but all are designed to produce a sound masking spectrum that precisely targets the range of frequencies produced by human speech. So ultimately, it comes down to how uniformly the sound masking system treats the office area.

Think of your office area like an inflated balloon at a birthday party. At every point inside that balloon, the pressure-per-square inch (PSI) is the same. The best sound masking solution for you will be the one that provides the most uniform sound masking to every point in the office.

Which Office Sound Masking Systems are the Best?

There are two primary types of sound masking systems: plenum systems and direct-field systems, and the latter are typically considered to be more effective. As acoustical expert David Sykes wrote for the Workgroup for Electronic Data Interchange (WEDI) points out, '[direct field systems] are the newest, lowest in cost, easiest to install, and have been in wide use since 1998.'

Originally, all sound masking systems were placed in a grid pattern above the suspended ceiling. Large loudSpeakers were bolted to the concrete deck above, and hung on a chain. The Speaker would then blast the sound upward at the concrete deck and bounce it around inside the area between the deck and the ceiling tiles, which is known as the plenum. Thus, these older-style systems were called 'plenum systems.' The idea was that the sound would bounce around and fill the plenum, and then filter down through the ceiling tiles into the office space below. This configuration was necessary 50 years ago, given the speaker technology available and the presence of relatively uniform ceiling structures and empty plenum spaces. This makes sense: speakers at that time were loud and had a pretty narrow dispersion angle, but if you can bounce the sound around a bit, it overcomes this limitation.

However, as plenum spaces filled up and ceiling assemblies became more complex, it became more and more challenging to truly get the sound to fill the plenum uniformly, much less filter down into the office space below in any uniform way. Now, a typical plenum space is filled with heating and air conditioning ducts, low-voltage and network cabling, and electrical and lighting conduit. Ceiling assemblies have become an acoustical nightmare of a mix of reflective and absorbent materials, affecting both the spectrum and volume depending on where you stand. To compensate for this, many plenum systems developed increasingly complex ways to tweak their speakers (typically in 3-speaker zones). But - like a patch for a bug in a Computer program - this was ultimately just a band-aid solution.

So acoustical engineers kept working, and came up with the prototype for what would eventually become known as a 'direct-field' sound masking system. Realizing that the problem couldn't be solved by continuing to patch the old way of doing things, they pulled the speakers out of the plenum. But simply using speakers designed to bounce sound around in the plenum wouldn't do, since they used a relatively narrow dispersion angle. Using old-style speakers in a new configuration didn't solve the problem, since it still resulted in non-uniform 'hot and cold' spots.

Finally - borrowing from the home theater industry, engineers developed a patented ultra-wide-angle dispersion speaker, which spread the sound out at a 170-degree angle. This turned out to be the key that unlocked a whole new level of effective office sound masking - and because the resulting direct-field system is simpler, removing the variables of humans to tune the system and elaborate technological systems with their added failure points, it had an almost nonexistent failure rate.

As a result, a direct-field sound masking system is measurably the best option for your office sound masking needs.

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