Each of us has moments when the stress in our lives seems overwhelming. We've just started a new job, had a baby, gotten married or faced an illness. But every day life can be filled with stressful moments as well. Here are a few tips to help life balance out.
Shhh, Quiet.
We're surrounded by noise. The TV's always going. The radio gets turned on the moment we get in the car. The loud Speakers blare as we grocery shop. It's a noisy world and that noise can add to stress levels. Enjoy the peacefulness of quiet. Intentionally spend 15 to 30 minutes in peaceful silence. You don't even have to do anything but listen to the silence if you don't want to.
Start Your Day on a Positive Note
Don't get bogged down by last night's dishes, early morning laundry chores or racing around the house to get yourself ready for work. That's just starting your day loaded with stress. Start the day by reading from your favorite inspirational book. Have a cup of coffee on your back porch looking at the sun rise. Take a few moments and write in your journal. The world will wait and you will be ready for it.
Take Time for Yourself Every Day.
Do something you enjoy every day. It can be something as simple as taking a walk with your puppy pal, or stroking your kitty cat. Value yourself by giving yourself a treat. If you love to garden but just haven't had the time. Make the time. Buy an assortment of herbs and pots and potter for a bit. Doing something you like is a great stress buster.
Only Worry When it Counts
There are some things you can control and many you can't. Only worry about what you can control, otherwise it's wasted. For example: If you're in charge of a family reunion picnic -- you can't control the weather. What you can control is the location. So make sure that there is a rained-out alternative just in Case, then you won't have to worry about the weather.
What's Really the Problem?
Often we overreact to situations because we're concerned about something else. Say, your boss comes in and asks you to fast track a project you've been working on and you become livid with outrage. Maybe you're not really angry with your boss, the project or the new deadline. It could be you're upset because your teenage son didn't come home till past midnight. If you can figure out what's really the problem you can save yourself a lot of stress and concentrate on solving the problem, instead of creating new ones.
Live Each Day for That Day
The past can't be repeated it can only be learned from. The future hasn't happened yet. Right now is the only time you have. Learn to let go of events in the past. Don't aggravate yourself by thinking what you might have done. Forgive yourself for your mistakes and remember what you've learned.
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Nokia 5030 Xpress Radio is a highly affordable mobile phone that gives you many usable features as well as decent look. This is a radio focused device integrated with an easy to use radio, entertainment and communication features. The Overall casing of this phone is 107.7 x 44.6 x 14.5 mm and weighs only 82 grams which is very light and can easily be placed into the user's pocket.
It's having good size 1.8 inches TFT color screen with 128 x 160 pixels resolution and 65k colors. It has good text messaging services by which you can store 250 messages. This radio pored phone has a bulk of entertaining features like this wonderful device contains dedicated radio & station selection keys, FM Radio, Radio Alarm Clock, AV Connector, MP3 and polyphonic Ringtones.
This device is coming with headphone connection point that offers the users to insert a set of compatible headphones for a more personal listening feel. Even the users can choose to share their radio with others when listening to their darling station over the loud Speakers.
Besides, the phone is incorporated with many desirable Games like; Snake Xenzia Game, Beach Rally Game, Sudoku Game and you can download so many Games too. This affordable phone has a good AV connector and Dual Band technology that covers GSM 900 & GSM 1900 networks.
This gadget comprises standard battery that provides approximately 524 hours of stand-by time and 10 hours of talk time as well as you can gain 24 hours of Radio Playback time. By using this cool device you can store a good amount of data as it comes with 64-MB of internal memory.
Apart from all the features this low-cost and well featured phone has many other noticeable lineaments like; Phonebook, Speaking Clock & Speaking Alarm, Alarm Clock, Stopwatch, Countdown Timer, Calculator, Converter and Reminder.
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Say Safari in South Africa and one immediately thinks of hot, dusty plains filled with Mopani trees. And you wouldn't be wrong!
Add Christmas into the equation and the picture becomes a bit skewed. Surely tinsel, angels and carols, let alone Santa in all his red and white clothing, have no place in this land of wild animals, birds and sunshine?
No snow gently falling, no fireplaces filled with roaring, log fires, mulled wine and frost, but wide, blue skies filled with sunshine, white sandy beaches with warm water lapping the shores and photographs filled with - you've guessed it - tinsel, angels and carols!
Historically, South Africa has had a tremendous European influence, right from the early settlers from Germany, Holland, France and of course Great Britain, bringing with them their traditions of Christmas trees, holly, lights and turkey.
Many of these traditions survive with Santa visiting excited children in his grotto in all the big shopping malls in the run-up to the big day, large fir tree branches being sold beside the road for you to take home and decorate with shiny baubles and golden stars.
Carols blare from loud Speakers proclaiming Good King Wenceslaus' trudge through snow-filled forests whilst the temperature soars outside to 30 degrees in the shade. It's certainly a different Christmas to those portrayed in the cards.
Whether Christians, Muslims, Shintos, Buddists, Jews, Hindus or one of the many other religions - they all celebrate something at this time of the year and light plays a big part in most of them.
We all love to drape tiny, sparkly lights into the trees in the garden; candles flicker on the table; glittering jewellery given as gifts; the glint of sunshine on the spray of the wave crashing on rocks. It's a celebration.
And somehow that's right. It feels good to be a part of something that transcends colours, creeds, hot and cold, north and south. For at least one day in the year everyone can rejoice.
The depiction of Christmas brings together the world, whether in a hot, sunny setting or a frozen, snow-laden one. Each nation brings its own small, nuances to the party, but essentially the world operates as one in celebrating on 25th December.
I wish everyone wherever they are in the world and however they celebrate the very best for the coming festivities.
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Specifications: The Sony MHC-EC79i Mini Hi-Fi is a three piece sound system that comes with an iPod dock. It consists of a central unit and two Speakers with built in sub-woofers. Each of the Speakers has 190 watts of power giving a total of 380 watts of audio power. This hi-fi system plays DVDs, VCDs, and CDs in a variety of formats. It has a 44.1kHz/24bit digital-to-analog converter and of course, a built in AM/FM tuner (saving up to 20 FM station presets and 10 AM radio presets). This model makes use of an external antenna. One of the biggest selling factor is its built in iPod dock.
Design: The Sony MHC-EC79i Mini Hi-Fi has a rather masculine design. The exterior of the device is in shades of black, gray and a tinge of silver shades. Each of the Speakers has two loudSpeakers that are covered by a thin mesh. Each of the speakers is painted with a ring of blue. The center of the player is dominated by a large, silver-colored volume control. Beneath it is the built-in iPod dock.
Features & Performance: The Sony MHC-EC79i Mini Hi-Fi is a great sound system for a small to medium sized room. Its powerful audio output (380 watts) could easily fill the room with rich high quality audio. The sound produced by this system was very good, with crisp sounds and a strong, defined bass. When the iPod is plugged into the dock, it charges it at the same time. You may even control the audio playback of your iPod by using the hi-fi remote when it is plugged in. There is also a built-in 3.5mm audio-in jack that allows you to plug in other music players or play music from your PC. This unit currently retails for around $160 each. The Sony Hi-fi unit makes a good choice for those who are looking for a hi-fi set that can literally rock the room with high quality audio.
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What is an Office Sound Masking System?
Office Sound Masking Systems have been in wide use for more than 50 years They were developed in the 1960s for the department of defense, and have been used to provide improved acoustic privacy in office spaces ever since.
The basic idea behind sound masking is that if I fill in the sound spectrum, it makes it very difficult to understand the conversations going on around me. And if I can't understand them, they're much less likely to distract me. Thus, office sound masking systems both improve office privacy and increase office productivity.
The human ear works like a radar dish - constantly on the lookout for sound that indicates some kind of structure. Your ears are bombarded by sounds all day long - and your brain has to filter out the useful sounds from the irrelevant ones. So it looks for structure. Language and music have structure, for example. The sound of a twig snapping or a door creaking communicates information that's helpful to your 'fight or flight' instincts. On the other hand, your brain will tune out the relatively consistent din of the food court at the mall, or other constant sounds like that of the cooling fan in your Computer. The sound doesn't vary, it doesn't have structure, so your brain determines that it's not communicating anything and so it ignores the sound and goes on looking for structured sounds.
How do Office Sound Masking Systems Work?
An effective office sound masking system must be uniform in terms of both sound spectrum and volume. All modern office sound masking systems use a pretty specific sound spectrum, targeted to mask human speech. Older style systems depend on the expertise and effort of the installer to properly tune them, while newer systems come pre-tuned, but all are designed to produce a sound masking spectrum that precisely targets the range of frequencies produced by human speech. So ultimately, it comes down to how uniformly the sound masking system treats the office area.
Think of your office area like an inflated balloon at a birthday party. At every point inside that balloon, the pressure-per-square inch (PSI) is the same. The best sound masking solution for you will be the one that provides the most uniform sound masking to every point in the office.
Which Office Sound Masking Systems are the Best?
There are two primary types of sound masking systems: plenum systems and direct-field systems, and the latter are typically considered to be more effective. As acoustical expert David Sykes wrote for the Workgroup for Electronic Data Interchange (WEDI) points out, '[direct field systems] are the newest, lowest in cost, easiest to install, and have been in wide use since 1998.'
Originally, all sound masking systems were placed in a grid pattern above the suspended ceiling. Large loudSpeakers were bolted to the concrete deck above, and hung on a chain. The Speaker would then blast the sound upward at the concrete deck and bounce it around inside the area between the deck and the ceiling tiles, which is known as the plenum. Thus, these older-style systems were called 'plenum systems.' The idea was that the sound would bounce around and fill the plenum, and then filter down through the ceiling tiles into the office space below. This configuration was necessary 50 years ago, given the speaker technology available and the presence of relatively uniform ceiling structures and empty plenum spaces. This makes sense: speakers at that time were loud and had a pretty narrow dispersion angle, but if you can bounce the sound around a bit, it overcomes this limitation.
However, as plenum spaces filled up and ceiling assemblies became more complex, it became more and more challenging to truly get the sound to fill the plenum uniformly, much less filter down into the office space below in any uniform way. Now, a typical plenum space is filled with heating and air conditioning ducts, low-voltage and network cabling, and electrical and lighting conduit. Ceiling assemblies have become an acoustical nightmare of a mix of reflective and absorbent materials, affecting both the spectrum and volume depending on where you stand. To compensate for this, many plenum systems developed increasingly complex ways to tweak their speakers (typically in 3-speaker zones). But - like a patch for a bug in a Computer program - this was ultimately just a band-aid solution.
So acoustical engineers kept working, and came up with the prototype for what would eventually become known as a 'direct-field' sound masking system. Realizing that the problem couldn't be solved by continuing to patch the old way of doing things, they pulled the speakers out of the plenum. But simply using speakers designed to bounce sound around in the plenum wouldn't do, since they used a relatively narrow dispersion angle. Using old-style speakers in a new configuration didn't solve the problem, since it still resulted in non-uniform 'hot and cold' spots.
Finally - borrowing from the home theater industry, engineers developed a patented ultra-wide-angle dispersion speaker, which spread the sound out at a 170-degree angle. This turned out to be the key that unlocked a whole new level of effective office sound masking - and because the resulting direct-field system is simpler, removing the variables of humans to tune the system and elaborate technological systems with their added failure points, it had an almost nonexistent failure rate.
As a result, a direct-field sound masking system is measurably the best option for your office sound masking needs.
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Music is a form of expression consisting of sound, rhythm, harmony, etc. The definition of music varies according to culture and social backgrounds. It can be divided into various categories. Music gear is the whole set of equipment like sound equipment, stage Speakers, recording equipment, DJ equipment, microphones, Speakers, etc. Here we try to explore the evolution of different types of music gear.
Amplifier is a device that converts a signal with a small amount of energy into a similar signal with a larger amount of energy. Popularly we call it electronic amplifier particularly in audio applications.
An audio amplifier is usually used to amplify signals such as music and speech. Instrument amplifier is a kind of audio amplifier that is designed to be used with an electric guitar, an electric bass, or an electronic keyboard.
Traditional amplifiers come with a clean, warm sound and a sharp treble roll-off at 5 kHz. High power amplifiers were developed between 1960 and 1970. However, by 1980, smaller instrument amplifiers with lower wattage ratings were developed that could be switched on and off more quickly.
Microphone is another important music gear. It is actually an audio device that can convert sound into electrical signals. The primitive microphones were called transmitters. The first commercial microphone was the carbon microphone designed in 1876 by the great inventor Thomas Edison. After that a lot of technological improvement has been witnessed in the microphones with the emergence of condenser, capacitor, electrostatic, wireless and shotgun microphones.
Recording equipment like mixing console, multi-track recorder, microphones, loudSpeakers, compressors, and equalizers are also types of music gear. During 1890 to 1930, phonograph horns and direct to disk cutting process were used for master recordings.
With the invention of microphones, electronic amplifiers, the mixing disk and loudspeakers, electronic recording equipment became high tech. Now the studios have started using digital recording equipment that are supported by latest upgraded versions of Computer and software.
We all know that a person who selects, plays, and mixes music for the audience is called a DJ or disc jockey. The equipment that are used by a DJ are vinyl records, compact discs, Computer media files, mixer with a cross fader, headphones and microphones. The history of these music gear is quite interesting. The phonograph cylinder, invented by Thomas Alva Edison was the first that was used as a DJ equipment.
The DJ culture probably started in the mid 1800 and has grown tremendously popular and later gave birth to concepts like discotheques and nightclubs. In the year 2001, i-pod by Apple entered into the list of DJ equipment because of the convenience of improved technology that allows the DJ to carry a wide variety of music in one single and small device. In fact in the year 2006 the Disk Jockey concept celebrated its 100th anniversary.
Like the history of human civilization, the history of various music gear is also equally interesting. And that is because, whether it is music gear or musical instruments, both make sure that the tune of human lives and minds always remains melodious and sweet.
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In 2008 we saw a massive change in world economy. This has made a huge difference to all business in virtually every country. Many people are out of work, some have lost homes as well as their job. Many companies are restructuring budgets, relooking at staff effectiveness, and even trimming staff. If you have experienced pain in your employment or business; or if you are looking for a new job I can assist with a specific industry. My most exciting career for over thirty years has been in the Consumer Electronics Industry. This is a fun industry to be in and a sales position either in retail on a store floor or in fact a representative job for a distributor is a great place to start. You could even consider starting your own business in the industry if you have the passion and drive like I did.
So you have some choices, now where can you head?
There are many different options or self-employment in the consumer electronics field and it can be a frustrating exercise to research them. Here are a few tips to help narrow down your possibilities:
o What are you good at? Maybe this sounds like a stupid question, but it's a serious consideration. What skills can you offer a prospective employer? Are you an expert salesperson or do you have a passion for Home Theater or Hifi? Do you like talking to like minded people? Do you make your own loudSpeakers or amplifiers? Do you write about or review consumer electronic products? Once you know your skills, work out how you can collate them into a worthwhile presentation for a prospective employer or partner. Try to get as many as possible down on paper before moving on to the next step.
o Once you decide if you want a job or to start a business you can use your skills to steer you in the right direction, if you want straight employment you need to find out what a prospective employer is looking for. If it is a sales position in retail what is their criteria for employing someone. With a bad economy, being a salesperson with just an average sales record may not cut it.
o Check out the internet for your all aspects relating to the Consumer Electronics Industry as well. Perhaps you if you want to start a business you can consider becoming global instead of staying local. You have the opportunity within the consumer electronic industry to have a wide choice.
o Many hobbyists have started their own stereo store after having worked in retail for years and some have been seriously successful after having worked as a rep for a reputable distributor of electronics.
By looking at all the choices, talking to other people in this exciting industry, you're well on your way to finding out if Consumer Electronics is right for you.
We have a resource for the global Consumer Electronic Industry and we are providing advice and assistance to people looking for a new career path. We are committed industry experts looking to help and give something back for the most wonderful life it has given us.
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1
I make myself man
each time I create
setting, character, tone
in a poem
create poetic sense
disclose my natural being
playing five senses
my distortions and inversions
evolve in history and society
to save the man in me
through poetry of self
2
The seed of my song
lies deep in memory
like paddy in field
blooms ages when wind
blows inside out and grows
genes in womb, turns self
3
A poem is madness
unique fascination
liberating language
re-creates, re-symbolises
disfiguring the known
secured norms
inverting the safe
existence
4
When sleepless poetry
fails to negotiate night
I wait for white dreams
5
The halo of my vision
is the Mother's gaze:
he whom I seek is
hidden in her eyes
shedding hope and love
all around her mercy
6
Love is my prison
and freedom both
in her presence
my wish her wish
to be everything
her shiva and
shakti a dual-single
me and she, one
7
Love leads to beauty
and vision with perfection
pillar of dust or
fleeting shadow can
turn into light revealing
pure songs wrought out of
the clay blending joys
in naked passion seek signs
of self-discovery
roving with delight
and perfume of fellowship
in valley of peace
8
Life limits between
whence the sun rises and where
it goes to relax:
joys of a fleeting moment
I see Aditi in her eyes
9
Love without clothes
without bone has
a joy within:
soft smooth and full
like the mind
creative and
erogenous
10
It hangs like a drop
any moment evaporate
love is gullible
11
When I inhale in
your mouth and exhale stroking
hairs or caressing
I ride you into joy and
make you hail the morning like earth
12
Rocked or burning within
poor performer
turns the hell inside out
can't dance on a taut rope
with fragile legs
enjoy flames of passion
love is a high explosive
not charged by
induced sexuality
13
Frosted faces dissolve in
stale rain clutching
female body and
poached contexts dizzyingly slip
from a vineyard
who'll treat them angels?
14
How can a poet
pierce through tamed passages
in the wolves' psyche
too scared to peep:
in the walled academy
they lope with cold eyes
shielding some dumb myths
or haunted by empty hunts
parrying moments of truth
15
There's nothing comfortable in the chilly gray wind and
what burns at the wintry end in Holi splash of colours
unglow what might have been left in ransacked ashes
they all witness the last shot of season in transition
like bare-branched trees unrelieving miseries of truth
in the unspirited campus and inscrutable shades
16
Winter is caught in
waves of narrow discussions
under the blanket
fingers move by nipples erect
without sensing consummation
17
I feel alone
like a wandering bird
without a nest:
empty without flame
the cave of the heart reeks of
forsaken island
18
Each day I construct
my self in new desires and
end in emptiness
a hollow shadow
I move in dust and rest in
stony webs of haze
19
In a grey morning
It's a foggy silent world
The stink of darkness
when'll the gulf open
stir the still horizons red
and swallow the wood
20
It needs heat
to eject a seed
and ripen to fruit:
mind makes its image
with imprints dumped in
forging rhymes
21
Bones of levity criss-cross
at the bottom of silence
there is no shape in the mind
22
As I did not earn my cross
they cheated me when
I bought it to pray
the satan sought my consent
to sin in silence
I was duped again
23
Memory fades
like her body
in dim light
I bury my head
in open hands
to escape noises
24
Is it the heat wave
or stupor that I see
shadows in the dark
and call it vision?
25
Summer turns prettier
after dust storm or rain
night alloys with cool colours
26
The colour of night is the same everywhere
what if my identity is not known
let's fuck the moment and forget the place
27
Waking up from a drugged sleep
I remember I was a butterfly
or butterfly dreamt me?
a sun away the brown of the walls
seemed flying with her shawl
and I couldn't overlook
I hunt a forgotten scene
outside the dusty road in summer
the flowers yellow and die
28
This morning autumn moves in the pool
I watch the deciduous trees and leaves' decay
the air whirling with dust
the drains are choked and my forehead
smudged like the stained table:
the more I clean the more dirty
and the slow sun smiles in the backyard
over the bony back of a stray cow
I look for a bit of green at my door
but goats have jumped the fence
there's just one papaya flower
and remains of ber parrots dropped
it's the same old agony in changing hues:
should I steal colours from butterflies
or contract prayers in their little wings?
29
From stony breaches
by roadside erupt
wild plants and creepers
through moss search their trellis
perhaps mime my attempts
at survival against
broken fences flinty knots
and shapeless shades in evening
30
The river walks without shoes
unsinging the night's hooligans
that scamper across the city
unbreasted years ago for
hawks of peace now midgeted
to amuse mornings that gaol
all fire and thoughts smitten by stones
of figures-to-be hewing
new melodies by black grass
past my shadow overarching
all listening and light and cliff
that hang the tale or pain the legs
no matter I walk without
the rest of the ground I tread
like river droning day's ashes
31
The frog in mirror
slips by damp towel
cold sets in slippy hands
rain flows on windows
black water crawls down
like diseased reptiles
why scrub the smelly
underbellies
there's no paradise
32
With blurred landscape
painting dust all around
they become dust
fail to live life
hiding it from others
from themselves fail
33
The mask of man they paint
with so many fingers as brushes
man's only colour now
34
They hide the mirrors
with rose and lipstick
and keep their fiction
35
Apple, snake and three-fifths of me
in bed manipulates man
inside selfish rubbles
36
Growing hair on soul
man longs for known grooves of death
safe in sterile womb:
loving, impotent
lost in vanity and self-
commiseration
37
How many defy
the space between
sleep and leap
I hear sounds
of cracked mirrors
and torn veils
38
Crazy these people
don't know how to go
down with the swirl and
up with the whirl but
play in the raging water:
who can find the green dragon
lost in the yoni without?
39
Your black sunglasses
conceal the face that reveals
the real you in sun
40
Face lotus
tongue sandal
manners sweet
heart scissors
I know him
seasoned crook
41
We are a nation
of cowards worshiping dumb
images can't stand
a full-fleshed person speaking
nude in god's home like in bed
performing love with
wife or self in dark alone
ever ignorant
moralising
hell of fear
with legs tucked up
posing brave
42
Fear in the mind
runs us this way
and that reaching
nowhere spitting
anger against wind
singing threnodies
or cursing fate
43
Can't you drop your saree
and all that conspires to conceal
your nudity, my love
forsake your modesty
and see the naked passion in
my eyes seeking freedom
to unite and transform
the night through body's dark alleys
don't you love your freedom?
44
Scratching between his legs
he creeped towards the fence
and said something to her
gawd, in a minute
I see her tending the blouse
half-hidden by roses
45
He presses her skin
or tastes the salty sweat
night singes genes in bed
love's eunuch game turns in
dreams to feed ignorance
leaning on sticky backs
of dead orisons
46
She put him off each time
he caressed her or
tried to kiss or crossleg
even bought her presents
to make her agree
but she won't care
till he raised the stick
and tamed her in bed
47
They make moments memorable
with quarrels over nothing
reduce relations to relic
48
A woman should complement
not complicate wanting love
and freedom both with sweetness
of the bone in mouth or
frenzied riding high or
grinding pubic regions
giving more and getting more
she must sound like a cologne
not sin or magic bullet
49
Woman is the flesh
and spirit of poetry
eternal love thirst
growing younger as
one grows older day by day
perfecting the body
50
An undressed woman
is a form to lay bare
the vulnerable
in myriad colours:
live sensuous delicious
like true sex exposing
naked truths through body
peep into ever
growing consciousness
51
Not with physical eyes
not in sleep or dream
nor in madness or in
hidden place or peace
but in imageless state
beyond human self
with eyes of the sipirit
when symbols one sees
visions are seen as grace
52
The split in cypress
is vulva I know the roots
purush-prakriti
call it Yin and Yang
our basic sex, lingam and
yoni harmonise
like lotus rising
from the depths of lake through mud
crossing existence
53
The fig of life with
roots above and branches below:
man and woman one
54
Dragons play whirlwind
among the clouds meet and rain
unite earth and sky
55
The mount of venus
rises above the mars
and unites on my palm
like a horse and elephant
56
Like a woman's mind
resides between her thighs joy
and satisfaction
man's love and hatred
concentrate on the crevice
though he watches face
she laughs when I say
love and beauty is nothing
but sabre and sheath
57
In the lake of your eyes
I saw him drowning
but, who was the fisher
that netted him out?
58
In the forest of your hair
my finger searches
the little pearl of blood
that stirs the hidden waters
and contains my restlessness
59
I smell my boneless
semen under the pillow
weaving legends in
half-dream along her
hips as I curl like rainbow
dying winds splash down blots
60
The remains of morning
like the remaining work stare:
my pen is cold to words
in bed I keep with her
wondering what I'd haul in our
burning, sleek, empty sex
now mind's dried with dry hive
I can't create with bald head:
sky showers ashes of rose
61
The highwayman lies
to rob a moon with skull
whipping up valour:
she unzips her skirt
like the silkworm undoing
its yellow cocoon
62
My hand
held out in the dark
remained empty:
none reached it
to give joy of
the meeting hands
63
I don't know when or how cracks grew for love to fall through
but memory waves obstinately:
her thoughts recur even after the emptiness of
the sky blares and I can't hide numbness of the year
before Bulli but her coming to me
just to revive those moments of togetherness
in lovely valley turns cold and apathetic
sun rushes in home and sudden silence
is all that echoes in new year's handshake with me
64
She won't understand
and force him yeah
always after hours
wishes of death and
shouts and blames
would ache his anger
in the testicles and
again she would tame
her man in bed
not knowing
what he has become
65
A meanest moment
of eternity it was
when I was conceived
after 40 years
I see same degeneration
my mother saw first
empty of poetry
stoic, dull and diffident:
always puny game
with triple fury
winds return and put out light
what use watching god?
66
Before it heals or
scars merge with time's endlessness
morning brings new wounds
is there a release
from unloving life day by day
breathing heartless air?
67
Everything is falling apart
every wall is cracking
I too am breaking
to be someone and to belong
drink in love like many
secured sure happy
I too want to live and be loved
not piece by piece, friends
but, will they let me?
68
After the day's blaring
hymns and mantras loudSpeakers
and tribal drums and dance
to please the lion goddess
in roadside Puja pandals
there reigns frigid silence
69
No one sings these days
songs don't come easily
life has lost music
70
Giant smoke from the factory
mates with perfumed dhoopam
rising from the trucks carrying Durga
in the afternoon Subarnarekha
is crowded with idols and people
absorb shocks with reverence
suffer dust, mud and stench
71
Who is a gentleman here
everyone speaks more
than one tongue in self-interest
ditch everyone or
turn disinterested
in excuse curse everyone
or say it's bad luck
72
The glow of victory
is deceptive coming from
frail man's needs and tears
midnight sighing of poor
deprived of the tree of wealth
bare body, dry land
where is light and grace
in ravished image of struggle
midst mute mass and doubts?
73
Death in silence speaks
moonlight cleaves to the body
peace gropes for poems
74
In flames rise voices
of futility and dreams
in dust fear and love
75
Time is running out
cracks in walls develop fast
but I stay static
shrouded in cobweb
as if in dusk denying death
brooding slipped chances
76
Can't I grab a little
warmth, fresh air and love
simple, sound and innocent?
I'm fed up playing
life across the net
shuttling nightmare in cold
77
The moon rises with
million stars in sky
but none worship
the dying sun says
how alone one is
sinking in glory
78
What good will happen
waiting to leach through old layers
no use stay put here:
the leaves have turned moth
we cross-leg with crabbed wishes
erase one more year
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Marshall Amplification is a company located in Britain. The specialty of Marshall Amplification is electric guitar amplifiers. The Marshall amplifiers have gained a lot of recognition and are extremely admired among the guitarists. One of the best combinations that most of the pop artists love to have is either a Gibson Les Paul or Fender Stratocaster with a Marshall Stack Amplifier. These days the pop music is a lot dependent on the classic Marshall Stack, which just sounds awesome.
The full Marshall Stack consists of one head that contains the actual amplifier on top of the two stacked 4x12s that are the loudSpeaker cabinets and each of them contains about four 12 inch loudSpeakers that are arranged in a square layout. On the top cabinet, there are two loudSpeakers that are angled in a slightly upward fashion and that is something that gives it a unique appearance. If a single cabinet is used then the entire unit is given the name of half stack.
The Marshall Stack Amplifier was first introduced in the early 1960s. Both Pete Townsend and John Entwistle of the band The Who were the first ones to use the Marshall Stack. It is being said that the first Marshall Stack Amplifier of 100 watts was made for Pete and John when they were looking to buy the equipment when their equipment got stolen. Initially the double cabinets were made but they did not appear practical due to their weight and then they were converted into a single cabinet, which then became the standard.
Later both Pete and John were doing experimentations on the Marshall Stack Amplifier and then started using the 200 watt amplifiers that were connected to the guitar through a Y splitter. Unfortunately, The Who went into a suit with the Cream and Jimi Hendrix and hence was not able to take all their gear up for overseas concerts and it was Cream and Jimi Hendrix who were seen with the Marshall Stack Amplifiers in their tours and were considered as the ones who pioneered the Marshall Stack Amplifiers.
With time, the surge for more volume grew by the different bands and for this reason in the 1970s the band Blue Oyster Cult used an entire wall of full stack Marshall Amplifiers. Then other bands such as Slayer and Yngwie Malmsteen also used the wall of Marshall Stack Amplifiers. Along with them were Kerry King and Jeff Hanneman who were playing in front of a total of 24 cabinets as well as Yngwie who conducted concerts with 31 stacks.
Most artists used the dummy cabs that are placed on the stage for visual effects. These cabs did not contain any speakers for ease of transportation and lifting. In most Cases there were only two or four cabs that were powered as using more could cause problems with the mix in a live show.
Along with the Marshall Stack Amplifiers there was also a new technology that was introduced known as the Combo, which included amplifiers and speakers in one Case. They have produced a lot of variations also known as the classic stack design, which includes Marshall Micro Stack and Marshall Mini Stack and the Marshall Mini Stack is about 10 inches in height and runs on batteries.
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A loudSpeaker, Speaker, or Speaker system is an electromechanical transducer that converts an electrical signal. The term loudSpeaker can refer to an individual device or driver, and a complete system consisting of an enclosure corporating one or more drivers and additional electronics.
Loudspeakers are the most variable elements in any audio system, and are responsible for marked audible differences between otherwise identical sound systems. Loudspeaker performance or accuracy in reproducing a signal without adding distortion is significantly poorer than that of other audio equipments.
Some important men who made history
Ernst W. Siemens was the first to describe the dynamic or moving coil transducer, with a circular coil of wire in a magnetic field and supported so that it could move axially. He filed his U. S. patent application for a Magneto electric Apparatus for obtaining the mechanical movement of an electrical coil by electrical currents transmitted through it was granted patent No.149797 on April 14, 1874.
Oliver Lodge filed for British patent No.9712 on Apr. 27, 1898, for an improved loudspeaker with nonmagnetic spacers to keep the air gap between the inner and outer poles of a moving coil transducer. This was the same year he applied for a patent on his famous radio tuner.
Thomas Edison was issued a British patent during 1881, for a system using compressed air as an amplifying mechanism for his early cylinder phonographs, but he ultimately settled for the familiar metal horn driven by a membrane attached to the stylus.
Harold Arnold around 1925 began program at Bell Labs to improve phonographic sound recording. The first priority was the electronic amplifier using the new vacuum tube, second was the microphone, and third was the loudspeaker that would improve the balanced armature units developed for public address.
Bell Laboratories in 1931 developed the two way loudspeakers, called divided range for the demonstration by H. A. Frederick of vertically cut records. The high frequencies were replaced by a small horn with a frequency response of 3000 to 13,000 hz, and the low frequencies by a 12 inch dynamic cone direct radiator unit with a frequency response within 5db from 50 to 10,000 hz.
How the loudspeakers used to work
The first loudspeakers used electromagnets because large, powerful permanent magnets were not available at reasonable cost.
The coil of an electromagnet, called a field coil, was energized by current through a second pair of connections to the driver. This winding usually served a dual role, acting also as a choke coil filtering the power supply of the amplifier to which the loudspeaker was connected.
AC ripple in the current was attenuated by the action of passing through the choke coil. However, AC line frequencies tended to modulate the audio signal being sent to the voice coil and added to the audible hum of a powered up sound reproduction device.
The quality of loudspeaker systems until the 1950s was, by modern standards, poor. Continuous developments in enclosure design and materials have led to the significant audible improvements. The most notable improvements in modern speakers are improvements in cone materials, the introduction of higher temperature adhesives, improved permanent magnet materials, improved measurement techniques, Computer aided design and finite element analysis.
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